000 | 02982cam a2200421 i 4500 | ||
---|---|---|---|
001 | 19466943 | ||
003 | OSt | ||
005 | 20231031145637.0 | ||
008 | 170127s2007 nyua co 000 0 eng d | ||
010 | _a 2016591747 | ||
020 | _a9781585679713 (pbk.) | ||
020 | _a1585679712 (pbk.) | ||
035 | _a(OCoLC)ocn276819844 | ||
040 |
_aBTCTA _beng _erda _cBTCTA _dYDXCP _dMR0 _dLF3 _dCPL _dHALAN _dBDX _dOCLCF _dOCLCO _dOCLCQ _dDLC |
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042 | _alccopycat | ||
050 | 0 | 0 |
_aPN1998 _b.A512 2007 |
082 | 0 | 4 |
_a791.43/75 _222 |
245 | 0 | 0 |
_a10 bad dates with De Niro : _ba book of alternative movie lists / _cedited by Richard T. Kelly ; illustrated by Andrew Rae. |
246 | 3 | _aTen bad dates with De Niro | |
264 | 1 |
_aNew York : _bOverlook Press, _c[2007] |
|
300 |
_axv, 458 pages : _billustrations ; _c21 cm |
||
336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
||
505 | 0 | 0 |
_g1 _tLosing it at the Movies: Pure Emotional Responses to Cinema _g3 -- _g2 _tQuality Counts: Arguments, Judgements, and Personal Views on the 'Best' and 'Worst' in Cinema _g27 -- _g3 _tThe Phantom Picture House: Movies You Can't See, Won't See, or Will Never, Ever Get to See _g59 -- _g4 _tTake Two, or Even Three: Remakes, Recycles and Return Visits _g77 -- _g5 _tThat Thing They Do: Actors and Acting _g89 -- _g6 _tWhat Are You Wearing?: Wardrobe, Cosmetics, and Personal Style _g125 -- _g7 _tCareers You Might Consider: Obsessive Professions and Callings _g155 -- _g8 _tNearly Human: Animal, Mineral and Ethereal Icons of the Movies _g181 -- _g9 _tCruel and Unusual: Quirks, Landmarks and Innovations in Screen Violence _g201 -- _g0 _tIntermission: A Bite to Eat, and a Bag of Pick 'n' Mix _g233 -- _g11 _tPlanes, Trains, and Automobiles: They're Called 'Motion Pictures' _g255 -- _g12 _tSex, Drugs, and a Little Bit of Rock 'n' Roll _g275 -- _g13 _tThe Grown-Up Arts: Older Forms and Their Impact on Film _g315 -- _g14 _tCraftsmen at Work: Unsung Techniques that Have Transformed Movies _g339 -- _g15 _tStrange, the Power of Cheap Music: (With Apologies to Noël Coward) _g375 -- _g16 _tLocation, Location, Location: Where it Happens, Why that Matters _g387 -- _g17 _tCinema Will Eat Itself: Loving Acts of Self-Reference _g405 -- _g18 _tSpoiler Alert!: Narrative Turns, Stings, and Endings _g417 -- _g19 _tAnd Finally: With Compliments of the Season _g451. |
650 | 0 |
_aMotion pictures _vMiscellanea. _93309 |
|
650 | 0 |
_aMotion pictures _vCatalogs. _93310 |
|
650 | 0 |
_aMotion pictures _vReviews. _93311 |
|
650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 _93312 |
|
655 | 7 |
_aCatalogs. _2fast _0(OCoLC)fst01423692 _93313 |
|
655 | 7 |
_aMiscellanea. _2fast _0(OCoLC)fst01423854 _93314 |
|
655 | 7 |
_aReviews. _2fast _0(OCoLC)fst01423760 _93315 |
|
700 | 1 |
_aKelly, Richard, _d1970- _eeditor. _93316 |
|
700 | 1 |
_aRae, Andrew, _eillustrator. _93317 |
|
906 |
_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg |
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942 |
_2ddc _cBK _n0 _s1 |
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999 |
_c11 _d11 |